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- home > °¡Á¤¡¤Ãë¹Ì¡¤¿¹¼ú > ¿¹¼ú/´ëÁß¹®È > À½¾Ç > ÀçÁî ȼºÇÐ Jazz Harmony 2 - Àü2±Ç[»óÁö¿ø]
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8. ÀåÁ¶(Major Key)¿¡¼ÀÇ È¼º ±â´É(Harmonic Function)/12
8-1 À½°è¿¡ ÀÖ´Â À½µéÀÇ ÇØ°á ¹æÇâ(Scale Tone Tendency)/17
8-2 Åä´Ð ±â´É(Tonic Function), µµ¹Ì³ÍÆ® ±â´É(Dominant Function),
¼ºêµµ¹Ì³ÍÆ® ±â´É(Subdominant Function) /19
8-3 ´ÙÀ̾ÆÅä´Ð ¸®Çϸð´ÏÁ¦À̼Ç(Diatonic Reharmonization) /27
8-4 Çϸð´Ð ¸®µë(Harmonic Rhythm) /36
8-5 Á¾Áö(Cadence)/39
¿¬½À ¹®Á¦ /47
9. ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)°ú ¸±·¹ÀÌƼµå¥±-7(Related II-7) / 52
9-1 ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)/54
9-2 ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)ÀÇ ÅÙ¼Ç(Tension) ¹×
ÄÚµå ½ºÄÉÀÏ(Chord Scale) /70
9-3 ¸±·¹ÀÌƼµå II-7(Related II-7)°ú ÄÚµå ½ºÄÉÀÏ(Chord Scale)/79
9-4 V7 ¹× ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)ÀÇ ÇØ°á¿¡ µû¸¥ Ç¥±â¹ý/ 88
¿¬½À ¹®Á¦/100
10. ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì(Extended Dominant 7) /114
10-1 ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì(Extended Dominant 7)/115
10-2 ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì(Extended Dominant 7)ÀÇ ÅÙ¼Ç(Tension) /124
10-3 ¸±·¹ÀÌƼµå II-7(Related II-7) /126
¿¬½À ¹®Á¦ /136
11. ´ÜÁ¶(Minor Key)¿¡¼ÀÇ È¼º ±â´É(Harmonic Function) /140
11-1 Åä´Ð ¸¶ÀÌ³Ê ±â´É(Tonic Minor Function), ¼ºêµµ¹Ì³ÍÆ® ¸¶ÀÌ³Ê ±â´É
(Subdominant Minor Function), µµ¹Ì³ÍÆ® ±â´É(Dominant Function) /152
11-2 ´ÜÁ¶(Minor Key)¿¡¼ÀÇ ÄÚµå ÁøÇà/180
11-3 ´ÜÁ¶(Minor Key)ÀÇ ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7) /193
11-4 ¶óÀΠŬ¸®¼Î(Line Cliche) /203
¿¬½À ¹®Á¦ /211
12. ÀåÁ¶(Major Key)¿¡¼ÀÇ ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord) /222
12-1 ¸¶ÀÌ³Ê ¸ðµå(Minor Mode)¿¡¼ ºô·Á¿Â ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå
(Modal Interchange Chord) /228
12-2 ¸ÞÀÌÀú ¸ðµå(Major Mode)¿¡¼ ºô·Á¿Â ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå
(Modal Interchange Chord) /240
12-3 °¡Àå ¸¹ÀÌ ¾²ÀÌ´Â 14°¡ÁöÀÇ ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord) /247
12-4 ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord)ÀÇ
ÄÚµå ½ºÄÉÀÏ(Chord Scale) /251
12-5 ´ÜÁ¶(Minor Key)¿¡¼ÀÇ ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord) / 270
¿¬½À ¹®Á¦ /284
¿¬½À ¹®Á¦ Ç®ÀÌ /291
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8. ÀåÁ¶(Major Key)¿¡¼ÀÇ È¼º ±â´É(Harmonic Function)/12
8-1 À½°è¿¡ ÀÖ´Â À½µéÀÇ ÇØ°á ¹æÇâ(Scale Tone Tendency)/17
8-2 Åä´Ð ±â´É(Tonic Function), µµ¹Ì³ÍÆ® ±â´É(Dominant Function),
¼ºêµµ¹Ì³ÍÆ® ±â´É(Subdominant Function) /19
8-3 ´ÙÀ̾ÆÅä´Ð ¸®Çϸð´ÏÁ¦À̼Ç(Diatonic Reharmonization) /27
8-4 Çϸð´Ð ¸®µë(Harmonic Rhythm) /36
8-5 Á¾Áö(Cadence)/39
¿¬½À ¹®Á¦ /47
9. ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)°ú ¸±·¹ÀÌƼµå¥±-7(Related II-7) / 52
9-1 ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)/54
9-2 ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)ÀÇ ÅÙ¼Ç(Tension) ¹×
ÄÚµå ½ºÄÉÀÏ(Chord Scale) /70
9-3 ¸±·¹ÀÌƼµå II-7(Related II-7)°ú ÄÚµå ½ºÄÉÀÏ(Chord Scale)/79
9-4 V7 ¹× ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7)ÀÇ ÇØ°á¿¡ µû¸¥ Ç¥±â¹ý/ 88
¿¬½À ¹®Á¦/100
10. ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì(Extended Dominant 7) /114
10-1 ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì(Extended Dominant 7)/115
10-2 ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì(Extended Dominant 7)ÀÇ ÅÙ¼Ç(Tension) /124
10-3 ¸±·¹ÀÌƼµå II-7(Related II-7) /126
¿¬½À ¹®Á¦ /136
11. ´ÜÁ¶(Minor Key)¿¡¼ÀÇ È¼º ±â´É(Harmonic Function) /140
11-1 Åä´Ð ¸¶ÀÌ³Ê ±â´É(Tonic Minor Function), ¼ºêµµ¹Ì³ÍÆ® ¸¶ÀÌ³Ê ±â´É
(Subdominant Minor Function), µµ¹Ì³ÍÆ® ±â´É(Dominant Function) /152
11-2 ´ÜÁ¶(Minor Key)¿¡¼ÀÇ ÄÚµå ÁøÇà/180
11-3 ´ÜÁ¶(Minor Key)ÀÇ ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì(Secondary Dominant 7) /193
11-4 ¶óÀΠŬ¸®¼Î(Line Cliche) /203
¿¬½À ¹®Á¦ /211
12. ÀåÁ¶(Major Key)¿¡¼ÀÇ ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord) /222
12-1 ¸¶ÀÌ³Ê ¸ðµå(Minor Mode)¿¡¼ ºô·Á¿Â ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå
(Modal Interchange Chord) /228
12-2 ¸ÞÀÌÀú ¸ðµå(Major Mode)¿¡¼ ºô·Á¿Â ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå
(Modal Interchange Chord) /240
12-3 °¡Àå ¸¹ÀÌ ¾²ÀÌ´Â 14°¡ÁöÀÇ ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord) /247
12-4 ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord)ÀÇ
ÄÚµå ½ºÄÉÀÏ(Chord Scale) /251
12-5 ´ÜÁ¶(Minor Key)¿¡¼ÀÇ ¸ð´Þ ÀÎÅÍüÀÎÁö ÄÚµå(Modal Interchange Chord) / 270
¿¬½À ¹®Á¦ /284
¿¬½À ¹®Á¦ Ç®ÀÌ /291